I know Elena Mazzi from University and her imaginative and innovative approach to artistic research has always fascinated me, like her tales, able to lead you into projects that you almost seem to have lived with her and in person, even miles away.
Until 24th June, Cabinet hosts the double personal show of Brian Calvin and Wendy White, where are compared two different operative approaches and the current culture of the selfies and the one of skate and surf of the Eighties. The artists develop, through their characteristic modus operandi,
From May 5 to June 20, Pamela Diamante is on show at The Open Box in Milan, a nonprofit space created by Valentino Albini, Andrea Francolino, Gaspare Luigi Marcone and David Reimondo, with the exhibition project 2016.
MAXXI, Rome – The Eden by Marcello Lo Giudice (Taormina, 1957) have been on show until June 12, 2017. The large size canvases open like windows on parallel worlds, far-off planets, deserts made of pure pigments and inspired by the invisible sounds of the Universe.
In five years of activity, the MAST Foundation in Bologna has created a vast collection of photographic images by the most important international masters who have documented and interpreted the history of industry and work since 1860.
Sound art is now an extremely productive field of experimentation for contemporary art, and it represents an increasingly inexhaustible source of research for artists and scholars who, thanks to digital technologies, can reach unexpected results.
Clima Gallery hosts until 10th June 2017 It’s nice to know the things you lost were real, the first Italian solo show of Will Stewart. Consistent with his modus operandi, the artist offers to the viewer visual and objectified suggestions of either physical and emotional itineraries which are cues of pristine individual thoughts.
At Marignana Arte gallery in Venice, is currently on view the second chapter of the exhibition The Hidden Dimension, with Paola Anziché, Maurizio Donzelli, Arthur Duff, Aldo Grazzi, Sophie Ko and Verónica Vázquez. The interview with the curator Ilaria Bignotti.
Reality is restless and it takes on a visible form as a fragmentary emanation of our inner motions that break and reflect themselves in the surrounding environment: from the beginnings Wainer Vaccari (Modena, 1949) overturned the presumed objectivity of figurative painting to give body and chromatic substance
On my intensive and constructive engagement with Luca Maria Patella, which dates back to 1965, I would have much to say in addition to what I have already published, but for this review I will touch only some innovative aspects that connote his multiforme production. I refer, in particular, to the interdisciplinarity