Belgrade is still carrying on the scars of the Nato bombs that hit the town during the Balkans war, in the meanwhile the Museum of Contemporary Art (built in 1958 in Novi Beograd) has just reopened and the National Museum, is under restoration and it is not visitable, although the website declares that the Museum […]
Music plays in the distance, melancholic Latin music; someone has passed by this house, we aren’t meant to know who, perhaps because time doesn’t exist down there. The presences are dreamlike, unconscious, they’re stories that continue in an undefined area between past and present.
The Swedish artist Öyvind Fahlström was defined by Pontus Hulten, the first director of the Moderna Museet in Stockholm, “citizen of the world” for his curiosity about reality and its phenomena .
The quiet life of objects gives way to a meticulous description rather than a narrative, to enjoy the luxury of effort, patience and silence, a rigorous contemplation of the elusiveness of reality.
We are no longer creatures endowed of only five senses: the technology has given us hundreds. We can observe the universe through the whole electromagnetic spectrum […] capture the molecular forces. We can contemplate the universe from the outside and having an overview […] To do so, however, we must convert the data transmitted by […]
Sorry, this entry is only available in Italian. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language. Pensiamo al tratto dominante dell’arte contemporanea carico di etilismi e velleità estetizzanti, pensiamo al prevalere dell’invenzione sull’esecuzione, ad esempio all’inimitabilità, chiave di […]
The works of artist Emilio Isgrò arise from the ability to observe and analyze the society, seizing acutely features and changes, but also risks and negative trends. Although not having moralist intents, nor censoring attitudes, Emilio Isgrò gives to his work an ethical dimension,
The form of the interview is currently considered by the international scientific community a fundamental tool for the acquisition of information to investigate and deal with technical, moral and ethical issues concerning the conservation, restoration and the exhibition of art works.
The sculptures and installations by Nicola Carrino are site-specifc, made for the place in which they will remain, a place that is not only physical, natural or artificial, but also cultural, original and symbolic. The conception of a public intervention begins with a survey, with the reading and observation of the environment in which the […]