Getulio Alviani (Udine, September 5th, 1939) left this world (February 24th in Milan) after a battle with a merciless illness. He was, no doubt, one of the most important, internationally speaking, representatives of the Programmed Art.
Sara Lorusso (Bologna, 1995) studied photography at Spazio Labò and she is currently attending a photography, film and television course in the Academy of Fine Arts. Her artistic research, ranging from the analogical image to installations that stimulate the interaction of the viewer, investigates the multiple possibilities of communication and misunderstanding generated by the new […]
2017 is a successful year for Andrea Prandi, whose works were exhibited at the 57. Venice International Biennial in La Marge exhibition curated by Daniele Radini Tedeschi in the Guatemala Pavillion, during the Expo of Bologna and the XI Florence Biennale (just to name a few).
Ina Lounguine is a Ukrainian artist. Born in 1993 in Odessa. Younger daughter in a family of activists and intellectuals has grown up with great curiosity and awareness. She graduated from Tavricheskaya in St. Petersburg and completed her Master in Aesthetics and Culture at The Ukrainian Academy of Arts.
In his exhibitions conceived as infinitely mirroring games, Ovidiu Hulubei attempts to displace perception – first, by frustrating it, second, by allowing it to conceive of its complete Other. The works are often deceivingly interactive, calling for a response from the passer-by, either as a leap of imagination which never hits the bottom of reality, […]
Cristian Chironi uses different languages and materials, often relating them. In a combination of elements, suggestions, input, emotions, which lead to new visual narratives and perceptions. He has realized performative and installative site-specific works,
The camouflage is a technique by which some animals, but also some plants or people, conceal themselves, mingling with the surrounding environment. Its reasons may be different, as well as its forms, but the intent remains the same: be less recognizable.
Alessandro Roma plays with the concepts of perception of the indefinite: on the one hand his works are related to the classic themes of the pictorial tradition of landscape, on the other investigate their limits and are circumventing the formal techniques in favor of a continuous casting between memory and imagination.
My research is developed in psychological and pedagogical fields and more precisely reflects on the complexity with which we perceive reality and the direct relationship between this and the emotional development, starting from neonatal experiences.
Memories of the lived, gaseous spaces, paintings like apparition sites. Liquid pictures on the skin of things to evoke their openness. Gaps and grooves in which the present fills the void left by the past. Scattered gazed and multiple visions that come and touch us. Imagine taking upon themselves, devouring themselves. Ricordanza as a memorial of […]