The greatest masterpieces of Western art history have been created thanks to a centuries-old religious patronage and the willingness of lay commissioners to flaunt a magnificent devotion to facilitate their access to Eternal Life or some diplomatic relationship in the earthly one.
The irreverent artistic duo Vedovamazzei, born in 1991 from the meeting between Simeone Crispino (1962) and Stella Scala (1964), a couple of Neapolitan artists who moved to Milan, is impossible to frame in a theme, in a formal vein or in a single working method.
As Alberto Boatto wrote in his famous book “Pop Art”, there’s a difference between the american artists of the Fifties-Sixties and the ones of the next generation. For the Action Painting it was the inner life that came out thanks to the artistic act, but with the arrival of the NewDada it is the external […]
The artistic work of Magdalena Fernandez proposes a new representation of nature, by re-appropriating the modernist abstraction, understood not as the ultimate purpose of reason, but as a methodology of becoming, which unveils its unstable equilibrium and metamorphoses.
In the myth of the cave Plato tells about a race of men chained since birth in a dark cave and forced to see only the shadows of the external reality projected on the wall opposite to the exit to which they are forced to turn.
Yto Barrada, Rossella Biscotti, Eric Baudelaire, Jorg Herold, Christoph Keller, Jakub Woynarowski are the six artists featured in the exhibition Giant steps are what you take, fourth installment of “Conversation Piece”, a project created by Fondazione Memmo in Rome.
Between September and October David Medalla was a guest of the Galleria Enrico Astuni to prepare the exhibition Locus Solus. Homage to Arthur Rimbaud curated by Lorenzo Bruni, which opened on December 2nd. The artist has created especially for the gallery a new series of works conceived as a kind of interior diary in which […]
Humankind has always been associated with other entities: animals, objects, elements, conventions, beliefs, concepts, ideas. From the twentieth century onwards, even with systems, processes and machines that have expanded the relational network on which collective existence is based, renegotiating the anthropocentric perspective with which the human being tends to approach the world.
“Knowledge of the past generates the birth of new ideas and create new forms of beauty.” Antonio Ratti The exhibition The fabric as art: Antonio Ratti entrepreneur and patron is remarkable for more than one reason.
Marco Giordano is an artist, whose research pivots on anthropomorphic features and collaborative creation. He recently presented Pathetic Fallacy at Il Colorificio, Milan, as an installation consisting of LED plantation lights and five long silicone strings (Duuuude, 2017).