Connect the viewer with a removed part of historical and civil memory, save events from the irreparable state of uncertainty: the priorities in Francesco Arena’s artistic career are overtly challenging, almost utopian.
Clare Lilley – responsible for the Frieze Sculpture Park section of the Frieze Art Fair 2017 – had had the functional idea to anticipate the opening of the exhibition to July 5th and to close it on October 8th along with the Fair, thus increasing the interest for public art also among a great number […]
Music plays in the distance, melancholic Latin music; someone has passed by this house, we aren’t meant to know who, perhaps because time doesn’t exist down there. The presences are dreamlike, unconscious, they’re stories that continue in an undefined area between past and present.
With the exhibition of Marco Ceroni GALLLERIAPIÙ turns itself into an exploded urban space where decontextualized and manipulated objects and fragments of reality amplify the imaginative potential of seemingly inert details of everyday life. Interacting with semantic vacuum gaps that show the artificiality of our environment,
Ginevra Grigolo’s Studio G7 gallery opens on October 13, 1973 in a receptive and bursting Bologna, not yet aligned, above all at the institutional level, with the most up-to-date contemporary debate that at that time found space only in big cities and in a limited number of magazines difficult to find even for the insiders.
The long and successful collaboration between Ann Veronica Janssens and the IAC, gives voice to the actual exhibition, curated by the director Nathalie Ergino, opening-up, during the time of the exhibition, to the theoretical-artistic debate with interest in discussing the psycho-perceptive experience of the human in relation to the cosmos, such as for space L’Espace […]
Trajectory is the title chosen for Yorgos Stamkopoulos (1983 Katerini, Greece) solo exhibition, a site specific, unique and unrepeatable installation designed and made exclusively for Mario Iannelli Gallery in Rome. A work in which the viewer, at first greeted by pleasant tones,
Among the most important European sculptors of his generation but still not adequately known in our country, Peter Buggenhout (Dendermonde, 1963) arrives in Bologna with The Blind Leading the Blind, his first Italian solo show promoted by Banca di Bologna and curated by Simone Menegoi.