2017 is a successful year for Andrea Prandi, whose works were exhibited at the 57. Venice International Biennial in La Marge exhibition curated by Daniele Radini Tedeschi in the Guatemala Pavillion, during the Expo of Bologna and the XI Florence Biennale (just to name a few).
Ann Hirsch‘s irreverent artistic research of (1985, Baltimore, lives and works in Los Angeles) explores the role played by women in online space and the tacit conventions that constrain the expression of female sexuality.
The Mart Museum in Rovereto, hosts the third act of the project Words and Stars, 2013-2017, conceived as an artistic association between the visual artist Grazia Toderi and the artist Orhan Pamuk, where images and writing emerge as if transcending the present through the time of memory, and questioning existence by confronting it in dialogue […]
The exhibition PARADOXA returns in the city of Udine with the second chapter of the triennial project which was launched last year and born with the aim to investigate and approach the public to the new forms of the Far East contemporary art.
From May 5 to June 20, Pamela Diamante is on show at The Open Box in Milan, a nonprofit space created by Valentino Albini, Andrea Francolino, Gaspare Luigi Marcone and David Reimondo, with the exhibition project 2016.
“I am for a politico-erotic-mystic art that does something instead of sitting on its ass in a museum” : Julian Rosefeldt’s Manifesto on show at the Palais des Beaux Arts in Paris Thirteen characters and thirteen lives.
Fiction is a Terrible Enemy has been the solo show of Californian artist Will Benedict, organized in Rome by Giuliani Foundation. The thread of works, including videos, gouache, and posters, is the investigation of the relationship between reality and fiction, triggering a reflection on the dangers of the stories we tell ourselves to live serene.
A man with a bowler hat and bamboo stick walks from the back of a dusty road like a true English gentleman, but in his way of pose, in his tight jacket, in the shoes and in the very large pants there is something dissonant. It is a poor man, a wanderer… in a nutshell is […]
The exhibition “Lavoro in movimento. Lo sguardo della videocamera sul comportamento sociale ed economico”, curated by Urs Sthael, moves the prospect of MAST from photography to video, and makes us experience the many facets of the work that can be that of a rich business man or of the unfortunates who seek in the dumps a minimum of […]
To observe, study and confront the masters of the past has always been the prime mover of art history and the necessary presupposition of every emulation or breakage that handles its events. In the era of instantaneity and ubiquity